Music "Scherzo" by Rubin Khodheli
Friday, February 26 2010
From Joe Diebes’s “Scherzo,” a frenetic video installation of cellist Rubin Kodheli playing a score by Diebes as fast as he possibly can while being filmed from eight different angles by Andrew Federman. Kodheli’s virtuosic playing had been fed through a computer algorithm that resequenced the various segments into a brand-new, thrilling yet impossible sound piece that questions time and space as well as the reality of seeing and hearing. “Scherzo,” which comes off as a sort of punk-classical amalgamation, is located in one of the small rooms behind what looks like a white closet in the middle of the Paul Rodgers/9W gallery, surrounded by four other audiovisual pieces that line the walls. “One to One,” “Anachronism I,” “Anachronism 2,” and “Steeplechase” involve Diebes tracing and/or erasing scores by Bach, Beethoven, and Charlie Parker, using and/or reusing translucent vellum sheets, while the compositions can be heard through headphones.
“I’m receiving and transmitting, or recording and playing, at the same time,” Diebes explains in the exhibition catalog. “My hand is the authority of the composer, but I’m not the composer. My hand is being driven by the recorded performance, so I’m really just a mass of nerves and muscle processing real time information. I’m trying to do it the best I can, but it’s all error.” Diebes might call it error, but the result is an intoxicating multimedia presentation that boggles the senses.
Never Can Say Goodbye