For 15 years, Linda Cunningham has been documenting the changing urban landscape of the Bronx, most recently through shredded drywall sculptures that reckon with memory, loss, and survival. Her sculptures record how nature permeates built environments, focusing on spaces where moisture invades architecture. Now, at a particularly contentious moment in the Bronx, her work finds new prescience and poignancy, engaging with transience and local history while questioning what remains and what is destroyed.
Surviving Then and Now: South Bronx Sagas, 2015
Found construction elements, collage, dry wall, canvas, photo transfers, pastel, acrylic, mixed media
A commissioned work for NLE Lab
Photo: Whitney Browne. Courtesy of No Longer Empty.
The book-like construction is built from layers of broken, wall-like constructions and layered with torn, curling canvas symbolic of peeling paint, the end of the Andrew Freedman house era and the then destitute Bronx environment. Phantom-like, photo-transferred images of the Bronx past construct a narrative of time, loss, change and survival. The installation is collaged with memorabilia, papers and references to the lives and identities of residents salvaged from the moisture-ridden remains in the Andrew Freedman House.
The layers of walls contrast the Andrew Freedman house ethic of “poor in style” with “styles of poor” of the “other” Bronx. The Bronx re-emerged from civic neglect and was held together by the energy. heart and rhythm of a persevering culture of diverse ethnicities.
Project assistants: Louis Riso, Maria Estevez
Photo and text credits:Historic Bronx photos : New York City Municipal Archive and the Bronx County Historical Society. Text and photos from Johan Kugelberg, Born in the Bronx: A Visual Record of the Early Days of Hip Hop, Rizzoli New York, 2007 (photographss, Jo Conzo; foreword, Afrika Bambaataa; Hip Hop map, Charlie Ahearn; Time Line, Jeff Chang (all used with permission)
Paradise Lost/ Regained? Utopia to Survival (2012)
Canvas, sheet rock, photo laser transfers, collaged remnants from the Andrew Freedman house, salvaged windows, acrylic, ink, graphite 10 ft x 20 ft